So when we last met, I was looking at an inquiry from Isaac P. regarding the 1990s New Superhero Universe Explosion. One of his questions was “do you wish any of them had been a success?” vis-à-vis my comics fandom (as opposed to being a comics retailer).
Well, in a way, most of them were successes, at least briefly, in that many comics from that period of the industry managed to pull in some numbers. I remember specifically Valiant Comics having a slow start with us, as Harbinger #1 showed up and I don’t think we sold a single copy.

That quickly changed as Wizard Magazine got on board the Valiant/hot comics train for whatever reason, and suddenly all Valiants were suddenly in demand. (At least until Turok Dinosaur Hunter #1 came out, but you don’t need me to write about that again.)
Now, for Isaac’s use of the term “success,” I’m going to presume “continuing to publish past the ’90s boom/crash and perhaps even ’til today” as the definition of the term, instead of the short-term windfalls these companies acquired. And while there are still Valiant titles being published today, it is not the same company it once was. It’s changed owners, titles have been relaunched and rebooted, so on and so forth.
The Valiant I’m thinking of, the era where I believe it was the best it had ever been, was its initial superhero universe from the early 1990s. X-O Manowar, Shadowman, the aforementioned Harbinger, and titles featuring licensed characters as part of their shared universe, Solar Man of the Atom and Magnus Robot Fighter (and eventually Turok, yes, yes). This was overseen, and some titles written by, former Marvel editor-in-chief Jim Shooter, and everything wove together more or less smoothly and it was all a lot of fun.
Once Shooter left Valiant, and more and more titles started to be added, it became a little more difficult for most readers to stay immersed in the entirety of this superhero universe. I didn’t much care for how things went post-Shooter, but Your Mileage May Vary, of course.
But I think of all the new shared universes that popped up in ’90s, I wish that early period of Valiant had been able to continue on ’til today, without all the reboots/relaunches/changes in ownership, and still including the licensed books as part of the whole (as most of those moved on to other publishers after the first iteration of Valiant ended).
And I know people have soft spots for some of the later 1990s Valiant books, like Second Life of Dr. Mirage, Bloodshot and Quantum and Woody, so…what the hell, let’s keep them around, too.
I don’t mean to disparage any work being done on Valiant properties currently (except the anti-trans horseshit in that Bloodshot book, off to the sea with that garbage). I’m mostly just waxing nostalgic for a period of that company’s publishing endeavors that kept me entertained and invested as a fan, not just as a guy slinging comics from behind the counter.
Anyway, remember when I said this was going to be a two-part answer to Isaac’s question? With today being part two? Well, I lied, I guess, because I’ll continue on with Ultraverse Comics in the next installment. I may have other stuff posted in the meantime, like the long-awaited new entry in the Final ’90s Countdown. But I’ll come back to it in short order, Isaac, honest!
I know it didn’t last long, but the relaunch/revamp of Shadowman as a “mature readers” comic, especially being written by Jamie Delano, was pretty amazing. I wish that series had lasted longer, and in that format (as they changed the tone again at the end of the second series).
I liked a number of the original Valiant books too: Eternal Warrior, Turok, Magnus, Solar (Quantum & Woody from the line’s expansion was fun too)…but they were starting to go downhill towards the end of their initial runs, so I feel like they got their chance, and maybe changes were needed. It didn’t work out for the titles either, although I wish it had for Shadowman.
I’ve always been fascinated by Solar, maybe because my dad has some of his original comics. But I feel like he’s had a bunch of different series by multiple publishers. Is there a “can’t miss” Solar series (aside from the first one)?
Thom-The first ten issues of Solar from Valiant Comics with art by Barry Windsor-Smith was as good as it got for the character.
HARBINGER sold well for. I’ve mentioned that, in many case, we would order based on those who asked about a title and/or wanted it on their pull list. A good example for us was REN & STIMPY. Some fell flat.
Re: the Ultraverse, we sold a lot of THE STRANGERS (the people on the bus) and MANTRA. No way for me to look it up but I think it was Mike Barr and a pretty decent artist. A lot of MANTRA fans were GHOST fans.
Thanks, Chris! I didn’t realize BWS was on art duties. I’ll have to check that out. :)
Thom H: BWS also plotted and/or wrote and drew the first 11 or 12 issues of Archer & Armstrong. That was a fun series, often funny and action-packed. He didn’t ink himself on the whole run (I know Bob Layton inked some of it), but it still looked good.
I sold what I had of “all those Nintendo comics” a few years ago (that I had purchased new as a teenager) after finding out they were way more highly valued than I would have expected.