Some very unexpected news this week came via a press release email I received the other day, announcing that Archie Comics was going to enter the facsimile game. You know, the exact reprints, usually ads an’ all, of classic comics at, ahem, current prices. Usually printed on better paper, which is nice, and sometimes they come with a foil cover variant (which I personally may be collecting all of for Marvel Super Heroes Secret Wars and Crisis on Infinite Earths, because apparently I’m a magpie).
To be fair, Archie doing facsimile editions isn’t that much of a surprise, given 1) facsimiles actually sell pretty well, at least for me, sometimes better than the current comics featuring the same characters/concepts; and 2) Archie is nothing if not a giant reprint engine, recycling their giant back catalog of comics endlessly through paperbacks and digests.
What is a surprise is the comic they’re using to kick off this new project…the infamous Betty and Me #16 from 1968:

It’s all your fault, anyway, reading this perfectly innocent cover and making it dirty in your filthy minds. I know what you people are like.
Now whether or not this was an intentional dirty gag that the creators of the image (artist: the legendary Dan DeCarlo) tried to sneak by the editors for their own amusement, I’ll let others argue. I’m still recovering from the whole “boner” thing. But this cover has amused for prurient reasons almost from the get-go…I remember seeing in the pre-internet days a photocopy of the cover that had been…artistically altered to more accurately portray the perceived after-the-fact gag. (Kids, ask your grandparents about how visual humor was traded around socially in Ye Olden Tymes thanks to the company’s Xerox machine.)
So…there you go, a fresh new edition of Betty and Me #16 for you to inflict on the unwary, you sickos. Am I going to get one myself? Of course I am, I’m no dummy. And Archie Comics ain’t no dummy, either…this is going to grab some eyeballs, in store and online, and will probably bring more attention to this new endeavor than just, say, reprinting whichever comic that was with Archie, Betty and Veronica sipping straws out of the same drink. (Which I’m sure they’ll do eventually, don’t worry.)
And speaking of other potential facsimiles, I’d like them to do Jughead’s Folly #1 from 1957, possibly the first mention of Elvis Presley in comics:

…and the later Jughead’s Fantasy three issue series would be nice too. But I’m sure we’ll get “first appearance of Cheryl Blossom” and “first appearance of Jughead’s cousin Souphead” before that happens. One can still dream.
• • •
So the
last time we met I lamented the fact that we’d probably never get
Atari Force action figures. Well, maybe no
official figures exist, but esteemed blogging comrade
Johanna informed me that she had an
Atari Force figure made for her some time ago…specifically “Dart,” seen in this picture flanked by custom figures of DC Comics’ Cinnamon and Scott McCloud’s Zot!:

Here’s a better look at Dart:

Nicely done, and Johanna’s lucky to have these. Now all I need is someone to build a Babe for me, I’ll be set.
• • •
I should note the
passing of comics artist Don Perlin, who passed away this week at the age of 94. He was a dependable draftsman, supplying solid work on titles like
Defenders and
Ghost Rider.
In fact, not too long ago I was rereading the second run of Man-Thing that began in ’79, of which Perlin drew several issues. It’d been a while since I read it, and my memory of Perlin’s work was that it wasn’t suited to the title. However, upon reconsideration the artwork was fine…a little “superhero-y” for what was nominally a horror book, but he did a better job than I recalled. I think part of the problem was the bright coloring, which didn’t help with the mood much. Ah well.
So long, Don, and my condolences to his family and friends.