Well, it’s time for another one of your questions, this time from Michael Grabowski, who clutches me with
“We know of your esteem for Bushmiller’sNancy as well as the current (I think, still?) Olivia Jaimes strips, and you’ve also discussed your fondness for not just Segar’s but also Sagendorf’s (and I think the much later London’s) work on Thimble Theatre/Popeye.
“What other classic newspaper (or current news’paper’) strips do you especially enjoy, and in what editions?”
Well, Olivia Jaimes still appears to be hard at work cooking up new Nancy comics, for which the world should be grateful. And yes, I love Popeye of pretty much any stripe, such as the ones you mentioned, plus the Charlton Comics run, the current Randy Milholland stuff, the works. Put that Popeye into…um, my eyes, I guess. The only Popeye I’ve actively disliked were those cartoons they tried a few years ago where none of the characters were voiced. Yuck.
As for other strips…well, there are certainly a few, and probably not any surprises. I should get Dilbert out of the way, which was a strip I really adored until it very much got to the point where you couldn’t ignore the cartoonist behind the curtain. And remember, this is a guy who read all of Cerebus saying this. I still have a shelf full of Dilbert books, complete to the point when I stopped buying them, and sadly, no plans to revisit them at any point in the future.
For the complete opposite of Dilbert, I have several collections of the Zippy the Pinhead strip by Bill Griffith. Meticulously drawn, intelligently and absurdly written, the comic never stops being a joy. There’s no uniform format for the books…several permutations of paperbacks, a hardcover (signed and numbered!) of color Sundays, and 20 issues, I think, of a Zippy mag from Fantagraphics reprinting strips. Absolutely beautiful stuff.
Another still active strip for which I’ve been buying the paperback collections is Foxtrot, the family strip with the clever math/science/nerd gags. Not much to say there except that the books sure have slowed down since the comic went Sundays only.
An active strip for which I no longer buy the collections is Doonesbury…I think I stopped sometime in the early ’90s, but I have a complete set of the books prior to that. I didn’t stop for any particular reason other than financial, as I still enjoy the strip when I get a chance to read it. This and MAD Magazine is how I learned all about Watergate!
For completed strips, there is of course the king of them all…Peanuts by Charles Schulz. Fantagraphics putting out this series was a much needed addition to world culture, getting all this work back into everyone’s hands. Just an absolute master class in the study of human nature.
And then there’s the body of work by Berke Breathed, of Bloom County, Outland, and Opus, and am I forgetting something else? fame. I had the (not necessarily complete) paperback releases, but the six volume hardcover set reprinting everything was a nice thing to get my hands on. Okay, technically, maybe this strip isn’t entirely over, as Breathed was doing new strips on Facebook for a while, many of those reprinted in a couple of paperbacks from IDW.
There are the Big Book Sets, the giant slipcased things that contain everything, which are great in their own way if slightly inconvenient to haul around. I have the Calvin and Hobbes one and the Far Side one. I think I actually still retain the paperbacks too, for the extra material not reprinted in the Big Books.
And just looking at my shelf…I also have several of Matt Groening’s Life in Hell strip collections, which I’d actually bought after seeing his strip in weekly papers an’ such…before the Simpsons, so I was into it before it was cool, maaaaan. I don’t have nearly all of them (I just looked at a list and hoo boy, there are a lot) but I loved those earlier books. I know the strip changed a bit once Groening was, y’know, running a whole-ass TV show, but I’d still be interested in picking up the rest of these at some point in what’s left of my future.
Plus I have a couple of one-offs that I’d like to find more of…I have the complete Gahan Wilson Playboy cartoons book set (not salacious by any means, just weirdo monster type stuff), and a copy of My Crowd by Charles Addams. Can always use more of their work in my life.
Archival strip books I should’a bought: Dick Tracy. Man, those are the best, but for some reason I didn’t get in on the ground floor with those and how they’re up to, like, volume 83. Ah well. I do have a couple of hardcover “best of” collections and several reprints of, shall we say, varying quality in comic book form, and that’ll just have to be good enough for me.
“Also, a related suggestion once your 90’s comics survey coverage ends: would you consider doing a similar survey for comics strips (classic, modern, free weekly, and/or web) including comments on available collections of them?”
Egads. It’s certainly an interesting idea, though I’m not as up on webcomics as I used to be. As you may have noticed, I’ve struggled a bit with descriptions of some of the entries so far in the Final ’90s Countdown, as I don’t have a lot of experience with some of these titles aside from 1) selling them when they were new, and 2) seeing them in the back issue bins. It wasn’t like the ’80s Countdown where it felt like I knew a little somethin’ about everything.
I’m afraid with comic strips I’d be more the former than that latter. Sure, I could hold my own with Hagar the Horrible or Marvin, but if you throw, like, Steve Roper, or Wash Tubbs, or, God help us, Boner’s Ark at me, I’d be flailing about like Kermit the Frog. It’s worth a thought, though, so let me get through the ’90s books first, hopefully something in the next year or three, and then I can consider my next step.
“P.S. I started consistently reading this blog at the tail end of the Sluggo Saturdays feature. I really miss that!”
Yeah, I miss it, too. When I started doing Sluggo Saturday, you weren’t getting a lot of Nancy and Sluggo content in the ol’ comicsweblogosphere. That’s changed quite a bit since then (and so has the comicsweblogosphere, for that matter), and Nancy and Sluggo awareness is at an absolute peak, for which I take sole credit.
Well, okay, not really, there were members of the Sluggo-scenti already out in full force before I ever stepped into the scene. The aforementioned Bill Griffith was an advocate (which I got him to immortalize in this original sketch I purchased from him), and dare I mention Scott McCloud’s nigh-infamous 5-Card Nancy? I do dare!
But don’t you worry…Sluggo Saturday is not dead, only resting, and will return to us in our time of greatest need. Which frankly is right now, come to think of it. I’ll see what I can do.














